Capsule Filling Machines
Shanghai Huale Industrial Co., Ltd. offers a comprehensive range of capsule filling machines for pharmaceutical production. The series spans fully automatic high-output models, semi-automatic units suited for smaller batches, and a dedicated capsule polishing machine. All equipment is developed to meet GMP-compliant production standards.
Fully Automatic Models
| Model | Type |
|---|---|
| NJP-200-400 | Fully Automatic Capsule Filler |
| NJP-1200C-D | Fully Automatic Capsule Filler |
| NJP-2500C-D | Fully Automatic Capsule Filler |
| NJP-800-1200C | Fully Automatic Capsule Filler |
| NJP-2000C | Fully Automatic Capsule Filler |
Semi-Automatic Models
| Model | Type |
|---|---|
| DTJ-H | Semi-Automatic Capsule Filler |
| DTJ-T | Semi-Automatic Capsule Filler |
| DTJ-V | Semi-Automatic Capsule Filler |
Polishing Equipment
| Model | Type |
|---|---|
| YJP-S | Sorting-Type Capsule Polishing Machine |
Product Overview
NJP Series
Fully AutomaticHigh-speed automatic capsule filling machines covering a range of output capacities from the NJP-200-400 through to the NJP-2500C-D.
DTJ Series
Semi-AutomaticThree semi-automatic configurations — DTJ-H, DTJ-T, and DTJ-V — designed for flexible, lower-volume capsule filling operations.
YJP-S
PolishingSorting-type capsule polishing machine for removing dust and polishing filled capsules, ensuring a clean finished product.
Camilla Huey's artistic practice is rooted in the historic traditions of corsetry and portraiture, blending eighteenth- and nineteenth-century forms with a contemporary feminist sensibility. Her work personifies concepts of beauty, fortune, and the goddess through elegant meshing of design and narrative, inviting the viewer into a dialogue that spans centuries. Drawing on American history and the architectural grandeur of historic mansions, her paintings and mixed-media pieces pay homage to the women who shaped our cultural imagination. Each artwork is an act of creation that binds past and present, offering a deeply personal yet universally resonant vision of femininity.
The atelier functions as both a working studio and a living archive, where the artist's fascination with historic costume, corsetry, and process-driven making comes to life. From her base in Kentucky, Huey has exhibited widely, with projects reaching museums and contemporary galleries across the country. Her work frequently engages with the materiality of cloth, paper, and pigment, layering textures that evoke the tactile intimacy of a well-worn garment. This hands-on approach reflects a belief that art is not merely observed but felt, and that the physical act of making carries meaning as profound as the finished image itself.
The artist's portraiture explores the idea of the woman as a vessel of narrative, surrounded by symbols of her era yet speaking directly to contemporary audiences. Influenced by the grandeur of historic interiors and the quiet dignity of formal portraiture, Huey crafts figures that are at once elegant and controversial, beautiful and complex. Her series have been exhibited at festivals and cultural institutions, where they spark conversation about the intersection of beauty, power, and identity. Through her lens, the corset becomes not simply an object of constraint but a form of expression, a binding that both shapes and liberates.
Beyond the canvas, Huey's creative practice extends into public projects, panel discussions, and collaborative exhibitions that explore the relationship between art, history, and community. Her work has been featured in international media and anthologies, celebrating the enduring relevance of historic craft in a modern world. Whether hosting a conversation on costume-led curation or embarking on a Western adventure for new subject matter, she approaches each endeavor with the same commitment to storytelling and craftsmanship. The result is an artistic legacy that honors the past while continuously forging new paths for the future of American art.